Unforgiven is
credited with being the first western to comment on the ideas and
themes of the western genre itself. What happens after the
gunslinging cowboy gets old and settles down with the pretty girl?
Can a bad boy ever really hang up is holster?
In this 1992 Clint
Eastwood film, Eastwood stars as William Munny, an older version of
the character that Eastwood played in western when his career first
began. When a very young assassin approaches Munny about a $1000
reward for the death of two men who mutilated a prostitute in the
town on Big Whisky, the retired gunslinger is thrust back into the
crime world because he needs the money. When Munny first decides to
join the young man on his quest, it is obvious that Munny's cowboy
days have been long over and he has problems “getting back into the
saddle” of the bad boy lifestyle. The now sober farmer has to
relearn his old way of life that his wife had taken him away from
about ten years ago. Munny has lost his expert shooting abilities,
his equestrian skills, and his love of whisky. After a rocky start,
Munny Leaves his children and simple life behind and rides off to
find his old partner in crime to join him for one final kill. His
friend Ned Logan (played by Morgan Freeman) has also retired to a
simple farming life, but has kept up with his target practice and
decides to join Munny on his mission just like the good ole days.
Munny and Logan discuss that neither of them have killed anyone in
over eleven years and throughout the film we follow the two men who
are trying to find their place back in the crime world after being
away for so long.
When the hired
assassins find their first victim, it is obvious that this is
something very different from what it used to be. Ned Logan aims his
shotgun, but is unable to fire. While Logan discovers that he can no
longer kill, Munny is forced to take the rifle and shoot the man down
himself. Because of his lack of training, his shots continue to miss,
but finally he hits the victim right in the chest. Munny sits with
his comrades as they listen to the man slowly die. The supposed bad
boys are obviously affected by this kill in a different way than they
used to be. Logan soon decides that his killing days are over and
turns back around to head back home. Munny pushes forward with his
young friend and soon assists the new gunslinger in killing their
other target. After the young man kills his prey, it is revealed that
he has never killed before and would like very much to never kill
again. The beat men, return to town to fetch their reward and be done
with the whole ordeal only to find that their friend Ned Logan has
been murdered by the local law enforcement.
At this point in
the film, there is a shift in William Munny. When Munny married his
wife, he completely changed his life around and was forced to realize
all the wrong that he had done in the past. He stopped killing and
drinking but took his first drink of whisky in eleven years when he
found out that his partner had been killed. With his young sidekick
back at home, Munny falls back into his murderous ways with all the
anger and passion that used to power him forward. Throughout the
story, there are many references to Munny's very drunken and violent
past. Though Munny has left this part of his life his behind him, the
memories and passions still dwell inside the aging cowboy. The true
gunslinger comes out in Munny when he bursts in on the law
enforcement that tortured and ended his friends life. While drinking
whisky, Munny quickly and easily shoots up the bar all while being
shot at himself. Without hesitation, Munny skillfully murders about
six men including the county's sheriff.
Through the changes
in Munny, Unforgiven argues once a killer, always a killer. Even
though Munny had completely disowned his immoral history, when placed
back in the situations of the past Munny returned to his old ways.
Our readings this week discuss fate and the rules of nature that
determine our lives. No matter how much he fights against it, Munny's
fate seems to the crime-ridden life of a cowboy. Is it possible for
people to change, or is a persons innate personality the only thing
that can truly resonate throughout one's life?
I have included a scene from the movie when William Munny and his young comrade are waiting for their reward money and talk about the man they just killed. This scene perfectly reflects the mentality of a young man who has ended a life for the first time, and Munny who recognizes the atrocity occurring around him but has become numb to the pain.
Your analysis at the end of your post relates interstingly to Lucas's work, "Determinism" in which he discusses the possibility that our personalities are in fact entirely predicatable and merely a result of past causes. By this argument, even if people "change" as you suggested, this change would have been predetermined by previous events and the exterior influences on them. I'm not sure if I buy this; however, the possibility certainly exists.
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