In the film a young man, Marty (Michael J. Fox), is sent from the year 1985 to 1955, and becomes entangled in his parents’ lives, threatening his own existence. Due to the story being laid out in Marty’s personal time, we must first acknowledge that the beginning of the movie is the start and the end of the film is… well, the end. Throughout Marty’s personal time of about a week, Marty experiences character growth and ends up right where he left off in 1985 to pick up as if he had never left. This is hardly the point of concern. Where things get messy is the idea that 1955 is in the past, and then all of a sudden in the present (of Marty’s personal time) giving him control over his perception of what actually happened, since he never personally experienced 1955 himself.
One
thing we can all agree on is that at the end of the film, Marty’s life is back
to normal, minus negligible changes considering the fragility of the space-time
continuum. Sure he has a different car and his brother has a real job. Yea, his
dad is slightly cooler than he was before, but ultimately it can be argued that
the 1985 that we experienced with Marty is the 1985 that had happened anyways
(before his travel).
This
can be reinforced by looking at several “loops” as Lewis calls them. Loops are
essentially events caused by time travel whose explanation is explained only by
time travel. This would be like if I go back in time and give myself a blue
ribbon… only to give it to myself again and again and again. Several of these
loops include Marty’s name, the African American man running for mayor, and
Chuck Berry’s Johnny B Goode. The fact that these loops exist in Marty’s life
much prior to (in his personal time) his travel to 1955 doesn’t prove the
continuity of this time travel absolutely. Chrisholm and Taylor would argue
that his interference with time is sufficient but not necessary to these events
taking place. Something could have happened to cause these things to happen
regardless of whether or not Marty got involved. The loop that ultimately comes
together to prove Marty’s impact on the past is that Doc Brown (Christopher
Lloyd) takes Marty’s advice in 1955 to wear a bulletproof vest. While it is
still only sufficient, Doc hints that Marty’s letter had something to do with
it.
Throughout
the film, there are arguments to back up the possibility of a branching away
from the “normal” timeline and reconnecting; however, there are several
inconsistencies. While I will continue to ignore the changes after Marty’s
return to 1985, I want to address a few issues. While Doc continues to refuse
knowledge of his future due to the space-time continuum and how it can change
the events that are to come, he did
make a time machine. He also knows, because of Marty’s video, that he will live
at least until 1985 at the point in which the video is made, yet he is afraid
of falling from the clock tower. As a matter of fact, he shouldn’t care much
about his future, because it is still uncertain to him, aside from his assured
existence for the next 30 years. The only logical reason for him to care about
changing the events of his future is because these events could interfere with what
Marty and us would consider the normal chain of events. This all gets muddy,
however he is slightly right in agreeing with both Lewis, Chrisholm and Taylor.
Past events will remain past events and future events will remain future
events, mainly because they are in someone’s past, even if that person exists
in the future (Marty and us).
The
most consistent aspect of the film is perhaps that Marty did not change, oddly
enough. After his return to 1985 Marty’s life around him had changed, maybe
only slightly. Still, would one not expect Marty to be different having been
raised by such different parents? His brother and sister changed. Maybe his
experience going back in time developed a change in his character. Maybe he
learned some sort of lesson. Maybe this is exactly what the director intended!
In dealing with such unknown and unexplored subjects such as space-time, time
travel, and the understood continuum, could one expect the film to “get it
right” without cracking the code of time travel itself? It is precisely these
paradoxes and inconsistencies that make the idea of a time machine so difficult
and foreign. After all, we had a time traveling experience of our own (cheesily
enough). In the year 2013, we got to enter the world of 1985, then 1985’s interpretation
of 1955, then 1985 again, and ultimately right back in our own present… our
infinitesimally small concept of present.
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