In
the 2005 documentary, Grizzly Man, the audience journeys to
Alaska with grizzly enthusiast Timothy Treadwell and follows his
thrilling, yet dangerous life among the bears. This film, directed by
Werner Herzog, is comprised of interviews with those associated
with Treadwell as well as fragments of Treadwell's own recording.
Apparent in the film, Treadwell was recording his time in Alaska in
the hopes of developing his own documentary but died before he was
able to produce anything himself. While living amongst the bears,
Treadwell and his girlfriend, Amie
Huguenard, where killed by these
unpredictable and savage creatures. Herzog is a famed documentary
filmmaker and philosopher who's work aspires to encapsulate a deeper
truth. If Treadwell had been able to finish his documentary, it would
have been vastly different than the version that Herzog
presented encompassing all the same events. Herzog's film focuses not
the bears that Treadwell was completely infatuated with but instead
allows the viewer inside the troubled mind of Treadwell and the
reality of his adventures to Alaska. In the essay, “On
the Asolute, the Sublime and Ecstatic Truth,” Herzog states that a
deeper truth can be found in the fine arts than found in facts.
Through the medium of film, Herzog feels that he is able to convey
the profound truth of a situation to the audience that no other
method can provide. Throughout the film, Treadwell is seen screaming
about politics and becoming hysterical when simply talking about
grizzly bears. These animals that he is surrounded by completely
posses Treadwell and lead to his ultimate demise. In Treadwell's
recordings it appears that he is completely isolated to live with the
bears, but the film reveals that he was often accompanied by his
girlfriend. The reality Treadwell attempted to depict was very
different from the truth beyond the camera. Herzog portrays a very
different truth to Treadwell than what Treadwell would have offered
himself.
I
have found that whenever people watch this movie they can walk away
thinking that Treadwell was either insane or a passionate martyr for
his cause. Because Treadwell was a radical and fanatical man, almost
to the point of absurd, it is difficult for many people to look past
their own judgements of insanity to appreciate the honest spirit
underneath. Herzog's film aims to present Treadwell in the most
honest way to the audience by showing every dimension of the complex
man. In his essay, Herzog says that “we also gain our ability to
have ecstatic experiences of truth through the Sublime, through which
we are able to elevate ourselves over nature.” Grizzly
Man
attempts to depict the ecstatic truth of Treadwell by presenting the
audience with not only the facts of his situation but also his
drastic emotional outbursts and genuine inner-dialogue. Herzog's
effort to communicate this deeper truth is very affective and
honestly depicts Teadwell to the audience even if they don't truly
understand him. In order to elevate the audience above nature, Herzog
prioritizes sincere emotion over precise facts. Watching Herzog
listen to the unsettling audio recording of Treadwell and his
girlfriend's fatal attack provides a sincere experience of emotion
for the viewer even if they never listen to the recording itself. The
deep truth Herzog describes is found in moments such as those when
truth is found in emotion instead of facts.
Truth
found in the fine arts is not a truth that can be easily understood
or agreed upon by everyone. The truth of a piece can be very
different for each different onlooker and so the truth found in it is
undefinable. Grizzly
Man
attempts to illustrate the honest essence of a man as to better
understand the choices he made that lead to his brutal death.
Following Treadwell's story from the beginning of his travels to the
end can teach the viewer a lot about why Treadwell did what he did
and hearing about his life through his friends can be equally
revealing. This truth that Herzog is searching for can only be
achieved by encompassing these many facets of Treadwell's life and
personality.
It
is obvious in that film that Treadwell has been disconnected from
reality in many ways, but appears to have found some sort of deeper
truth while living with it bears. Defining the sublime is nearing
impossible because the entire point is that it is above nature and
reality in every way so Treadwell achieving the sublime through his
disconnect from our reality seems completely possible. This truth
that Treadwell has found with the bears appears to many as a death
wish or insanity, but Treadwell sees it as the only option for living
his life. The life that Treadwell chooses to live is a life very
different from our own and is therefor very difficult to understand
but comes closer to the sublime than anything I have come across
within out limited society.
In
Herzog's essay, he states that the only thing man has in common with
the gods is the ability to reveal the truth. Through his
documentary's Herzog does just that and focuses on finding the
ecstatic truth within a narrative. Herzog says that our minds can
comprehend reality through facts while our souls can actualize truth
through the experience of the sublime. This profound truth may or may
not existence in Herzog's films for you as a viewer, but it remains
his goal to come closer and closer to the truth with every second of
film he produces.
Great Post. This movie has always been interesting to me because of Herzog mainly using Treadwell's own footage, but of course the footage and comments that Herzog's picks has a definitive impact on how we view the film. Ultimately, Herzog's seems to respect Treadwell and his "truth". Although Treadwell clearly was unsettled by so much isolation, he passionately defended the truth he held dear, working for it, risking his life, documenting, and ultimately dying to proclaim his own truth. I definitely agree that it is not the point of the film to simply call him insane and leave him there, as many do. Instead, I think Herzog found his passion inspirational and chose to work this film as a result
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