This week I
decided to watch the documentary Grizzly
Man. I had heard good things about it and some crazy things about the
Grizzly Man himself, Timothy Treadwell. Werner
Herzog was the director of the film. It
discusses the life of Timothy Treadwell and his love and work for grizzly bears
in Alaska. Treadwell spent 13 years with
the grizzly bears until his death at the hands of one of the bears that he
loved so much. He only took breaks in
the winter during the bear’s hibernation period. He would travel around the United States
going to elementary schools and teaching kids about grizzlies and other
wildlife. Herzog was able to make an in
depth documentary about Treadwell’s life because Treadwell took footage of
himself in the wilderness of Alaska. He
shot footage of himself to educate the children, and he also used it as a
journal and therapeutic tool.
After I was
able to get over the grizzly bears not being named Z-Bo, Marc, Conley, and the
Grindfather (Tony Allen), the film provided a search for knowledge, truth, and
reality through the life of Timothy Treadwell.
The documentary pegs Treadwell as the normal rebellious youth. He starts off as an average all-American kid
but goes to college and gets involved in drugs.
He moves to California and fails to establish himself as a Hollywood
level actor. As a child, Treadwell
always loved animals. When he found an
opportunity to work with grizzlies he seized the opportunity. Many people called him crazy and thought he
was asking for a death sentence. However,
working with the grizzlies offered Treadwell the opportunity to heal himself and
search for his own reality.
Throughout
the shots of Treadwell that Herzog chose for his documentary, Treadwell talked
about the Alaskan wildlife as his home. He
clearly loved being there with the grizzlies and he even made friends with some
very cute foxes. He repeatedly
differentiated between the human world and his world. As the documentary progresses, Treadwell
expresses more and more disdain for the human world. Treadwell makes the animal world his own
reality. Although people continued to
tell him that he should not be out there living with the grizzlies, he could
not help but live out there. It had
become his world and his truth.
The story of Treadwell is similar
to the story of the tribe that Herzog talks about in “On the Absolute, the
Sublime and Ecstatic Truth.” In this story, Herzog describes how a tribe
believed that they owned the land they were on because they had always been
there. It was their truth and their
reality. Although Treadwell had no
connection the grizzlies and Alaska before his work there, he created the truth
and the reality of his life in Alaska amongst the grizzlies. Treadwell valued the life he had in the wild
and the knowledge he gained from it. However,
he got progressively more and more “crazy” throughout the documentary. It is clear that Herzog disagreed with some
of Treadwell’s decisions and chose to portray Treadwell as a losing his grasp
on reality and society.
Herzog, who I thought sounded too
similar to Christoph Waltz for it not to be him, in his own creation of this
documentary, established his own vision of truth. He wanted to show that Treadwell could not
overcome his dicey background and he eventually deteriorated as a human being. The more time Treadwell spent with the bears,
Herzog made it seem that Treadwell was trying to become a bear and lost his
grip on reality. This decline ensured
his own demise. He was unable to return
to humanity and understand that grizzly bears are dangerous and human
killers. I wonder how much of what
Herzog thought himself came through in his work. I had heard that he did not show all of the
actual clips of Treadwell in consecutive order.
So it is possible that in order to show a “deterioration,” he had to
jump from year to year.
Of course, Herzog mentions the
questionable truth of movies in his essay as well. He claims that it is harder and harder to
understand truth and reality with the advancement of technology. The Internet, video games, and movies have
complicated the real world. They are able
to recreate life, which seems very real, but is not what we consider society or
real. Herzog’s film Grizzly Man has to be considered as a part of this discussion. We are unable to discern for ourselves
whether or not Treadwell actually lost touch with reality, which lead to his
ironic death at the hand of one of the animals he tried to protect.
I think you are very right to point out that Herzog's portrayal of Treadwell points us to a questioning of objective truth versus what Treadwell sees to be true.
ReplyDeleteBut I also think the objective truth of Herzog's editing of Treadwell's footage and the cutting in of his own, brings up the question of what is objectively true in Treadwell's story. The way in which Herzog has selected footage and cut the film allows him to ponder the less objective facets of Treadwell's story. In fact, this is the point of the movie. There is a magic and human-ness in his story that transcends the facticity of events. For Herzog, the documentary truth is not depedent upon the factual truth.